The Hub

I'll start by saying I don't post much because it's confusing to know if I should post on this site or the Patreon site, both are hard to navigate, etc. Also, I sent this question to the last "elder" meeting but I have no idea what the outcome was (I thought there would be some answers documented for those that can't attend live). So, with those frustrations out of the way... I have in my backlog a 1988 PRS Studio. It has HSS pickup c…

I have two guitars I am working on that are missing a few parts and wanted to see if anyone has them that they would like to sell. I have a customer with an early 50's L5 that he got when he was 10 years old. He wants to reinstall the dearmond rhythm chief but is missing the long beam that connects the controls to the pickup and the small bracket affixes between the string run between the tail piece/bridge. Second, I have a 1978 telecaste…

Howdy gang! I was recently trying to find something in my shop and came across a box of 500k linear taper pots. I always use audio taper for volume, but what do you guys and gals think of audio versus linear taper for tone control? I've seen both used, but it's been a bit since I wired a guitar from scratch and can't remember which I prefer. Thoughts?

So, nothing against Luminlay which is an amazing component, with a top notch quality level, but they're quite expensive for what they are. I was messing with ideas and formulas over the past couple weeks, and I think I reached a nice level of quality. On the left my own 'luminlay', on the right the genuine one. Still need to manage how to control the bubble formation but I can finally see the finish line.

I've built some acoustic guitars and I want to get into some electric builds. On that note, I have a highly regarded player around here asking if I could wire an existing solid body to his liking. He is providing two 500K pots, two P90 pickups and a 3 position switch. He wants two volume controls, no tone control. He's quite an accomplished player and I don't know enough to question him. I got a Seymour Duncan diagram from their si…

I've done a few neck resets lately, (new territory for me) using the StewMac Heat Stick. It does a fine job releasing the glue, my problem is filling the hole in the 15th fret slot so that it isn't noticeable. I did a lighter colored rosewood board lately that certainly could have been better. I'm thinking of trying the needle/ steam method instead but haven't found a controllable source for steam. I would appreciate any advice with…

I've done the Fender Grease Bucket Circuit mod on a lot of Strats and it always works. A customer recently brought in a 335 kit for wiring. It got 3-TV Jones humbuckers, each wired to a Seymour Duncan Triple Shot Mounting Ring, 3 separate volume controls and a master tone with the Grease Bucket circuit. My client wanted to see a clear diagram of the wiring, so I got GuitarElectronics.com to generate one. I've used them several times in…

Hello fellow Looths, I had a question in regards to a curious issue from a customers guitar. The guitar was brought to me in part because the customer was having an issue where the guitar was intermittent and would ground out. It's a partscaster with an HH pickup configuration, one volume, one tone, 5 way switch, and the tone control splits the humbuckers. The pickups are quick connect Dimarzio's. I took the pickguard off and noticed tha…

I have a Rickenbacker 620 on my bench; I have repaired the neck pickup (it came loose, uninstalled) and I am stumped with where the wire should dip into the control cavity. There is no hole in the route for the magnets, I assume it runs under the floating pickguard, but I dont see any relief or path under the main control panel. This has the toaster style pickups and dates to the 50's. Thanks in advance.

Hey, gang. I was wondering if any of you were familiar with this guitar’s bass contour control. I’ve yet to find accurate schematics. I bought it around 2009. Any help would be appreciated.