Good evening folks,
lately I'm experiencing some sanding methods/mechanism frustration. Can't explain better than look like I'm regressing at doing it.
The only thing changed in my building routine is that I'm currently using a CNC (I haven't used one for some years) for both bodies and necks. I have no problems with necks, but sanding bodies has become incredibly frustrating, specially around the edges.
While I keep improving my c…
Here You'll seehere pin tip sized bubbles. Nitro finish. It got hot in a case. They'll need a light amagolmater mixture applied to melt'm back into the surface. Im looking for advice on the recipe for said amagolmater....Straight retarder? Im not sure if Id need lacquer in the mix that I apply....Thank you! Colin O'Brien LittleCreek Instrument Repair, Nashville.
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I have a 2024 Les paul in fine shape. One thing i’m curious about is that the nut and truss rod spacer appear to have been modified but there are no finish marks in the cavity to suggest a repair. is this a normal factory install adjustment and have other folks here come across it in les pauls?
I'll open by saying I know nothing about varnish finishes, yet. I've seen this Brentrup mandolin with a varnish finish that has extensive lifting/flaking around almost all edges. Is there a process/chemical for consolidating varnish finish like this? (beyond the brute force GluBoost wicking I might usually do) In any of the violin video sessions, has this type of finish repair been discussed?
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I knew Hans. At the time I met him (around 2016) he was spraying spirit varnish pre-made from International Violin. His mandolins ended up with slight checking a year or so later, but I had not see…
Hello again folks, how is everyone!
So I'm curious about what people here think about re-tops, who's done them, and what sorta ballpark rates you've charged for past completed jobs.
I've got a bit of a wild one here, so strap in if you've got a couple minutes for story time!
Back in 2012, I traded an HD28V of mine for a cool 1966 D-35 that needed some work. Basically, the body and neck of the guitar were fine apart from…
Oh yes, it is absolutely not down to financial matters here, or I'd have abandoned it completely hahaha, I've been thinking more about it, perhaps I will take the plunge, and have a bit of silly fun w…
Hello — I would like to finish a mahogany electric neck and body with wipe on poly (probably Minwax satin) and would like to pore fill with Z-Poxy. I can’t find a definitive word on their compatibility.
- Can I just wipe on the poly coats after block sanding the 2-3 Z-Poxy coats?
- Should the Z-Poxy be sanded all the way back to wood or just smoothed/flattened?
- Is a coat of unwaxed shellac between the Z-Poxy and the wipe in…
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I personally like to do a washout of shellac just in case.
Greetings fellow Looths! I recently received a request from a customer to replicate Kurt Cobains 59 Martin, starting with a Sigma DM3. I have pasted the customers email to me below. While I have been a looth hobbyist for many years, I just recently opened my official business, Finger Lakes Guitar Works, and am just getting off the ground and a good flow of repair work is already coming in. While I feel 100% confident in my abilities to…
Seems kinda annoying to me. The guy wants to spend a ton of money building a replica of a guitar but he's going to not use a guitar by the actual brand to do it? I'm going to go with this is going t…
Someone recently contacted me about a Gretsch in need of some finish repairs on the binding. This looks to be nitro that has chipped/flaked off over the years and possibly yellowed by nicotine. I'm curious if any of you have experience with this type of repair and what the best way would be to go about it. I'm not anticipating taking this on but I would be interested in knowing the procedure. Thanks!
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Good morning to all - I have another skill building question - picked up another cheapo electric guitar to practice repairs on. I didn't see the big dent, but figured its an opportunity to practice another type of repair. big chunks of polyurethane finish are gone and the bit that's left has a hairline crack around the bottom. I'm thinking to use wood filler to fill in the missing chunks, and want to know if its best to remove the piec…
I don't know, but I did see enough to consider how to best handle it before I start the repair. I can see that the glueboost might be a good way to approach that hairline crack, but who knows what is l…
I have a Taylor Acoustic in for a setup and I had a couple of questions:
1. My main one is how you would go about gluing the label back on? I'm probably overthinking it but I'm curious if there's a universally recognized way of doing this?
2. I have some very minor finish damage which I'm not planning on touching, but I am curious how one would go about repairing it. Would this be a case of drop filling lacquer? What would be the…
I've reglued the corner of these labels many times. If you can just get a perfect little swipe of wood glue on it with a feeler gauge or something and then just hold it down with the erasure on a penc…
Doug Proper designed a sanding jig that supports variable concave and convex curves, described in the following Loothgroup article:
https://loothgroup.com/post-imgcap/the-variable-radius-sander/
I built one and am impressed with how it facilitates preparing bridges, braces and also allows tracing any radius using the chord formula. I made a rough measured drawing and assembly guide to share, with Doug's blessing.
First step, ma…
I finished levelling frets on a mandolin last week, and was surprised that the frets with the worst divots worked down to .020" Had I known that I'd go that low, I might have replaced them, but it's hard to measure divot height, especially those caused by thin strings.
I haven't seen much discussion on standards for fret height or guidelines to know at what point should I switch from levelling to replacement. What standards are peop…
I’ve found for most guitar players anything below .030” starts to get into refret territory. Might be different for mandolins though, I don’t work on many of those. I have a client that loves the fret…
Hi all, I'm new here. I've been playing guitars for ~15 years and recently started as a technician at a music production school in London, where part of my job is maintaining the guitars.
I picked up this 50s parlor nylon the other day and it's in bad shape but I don't know how to go about repairing it.
The main issue is the bridge. The guitar was kept high strung and the bridge has twisted and lifted off slightly at the base. T…
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So now put the iron on low, heat the bridge for at least 5 minutes, then take it and the insulating cardboard off, and see if you can begin to work palette knives under the bridge. If it's not relativ…
I am restoring an old Supertone with a thickened and heavily alligatored finish. The finish softens quickly with acetone, and it looks like it has had an overspray. I would like to keep the staining on the oak back and sides, and to preserve the decal on the headstock. The top I would like to strip and sand.
The questions are:
1. What more do I need to know about the finish?
2. How should I remove the finish or at least thin/smooth…
I don’t see much evidence of overspray. The headstock looks to be in decent shape. I’d just leave it unless the finish is actively falling off. One thing you might try on the top before refin is Mohaw…
I have repaired numerous top crack on this instrument built by a customer at a guitar building camp. The bridge was off and warped. That has been addressed. After gluing with hide glue and splining the crack these top two did not closed as much as I would have liked. The bigger is about 1/32 at the widest and the other about 1/64. The crack is tight at the bottom. If I can help it I would like to fill it rather than spline it as I have…
I am pretty good at touch up on darker to med woods and air brushing some solid color touchups on electrics but as you said spruce tops with gloss are near impossible. I was hoping to maybe clean it…
Hi all. Brand new member. I’ve been building a classical guitar via kit from LMI for a couple of years now. I keep putting it off but recently became motivated to get back to it. Unfortunately LMI is out of business so I now have no one to go to to ask questions. I’m at the stage where I’m putting the sides together in the form. I followed the dimensions for the form based on the plans as I measured them, but the sides overlap pretty ba…
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Structurally you are fine. When you glue this up (this is important), make sure your sides are clamped in the form VERY snug so there are no gaps between the sides and the forms. This will leave the…
I'm fast approaching the finish coating of 2 acousitcs. The sitka spruce tops are really bright. I'd like to tone them down a little and have been scouring the web for methods. Seems like adding amber toner in either the sand sealer or more likely the first set of nitro lacquer coats might be the the ticket. I see Stewmac has a Colortone stain called "Vintage Amber" that can be mixed into the nitro. Anybody have expirience with this pro…
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Hi Gerry, I recommend spraying a sealer chow it a light scuff and then one more sealer coat. If you are using lacquer, thin some 50% by volume and add TransTint or Colortone. Same dye and some of the…
Has anyone developed, or know of for sale, a fixture that can be installed in an acoustic body (dovetail neck) during finishing? I'm approaching the spraying stage of my build and would like to be able to have a "handle" on the body that I can use to hold & hang the body during that process. Regards,