Need some guidance for binding repairs.
I'm using the "Martin method" using CA glue and tape for re-attaching the binding.
From there:
Scrape glue
400 grit to level
Brushing on Lacquer
400 grit to level
Meguiars #1
Meguiars #3
Meguiars #7
All by hand.
But I recently purchased a Proxxon hand polisher.
I'm still getting big marks. Its usually "ok", but I'm noticing huge swirls. Not pro.
I do not have the money/space for…
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I suspect your issue stems from not sanding to a high enough grit before polishing. Check out Eagle Abrasives "Assilex" dry papers. Stew Mac has them. Not cheap, but they last a long time. You can…
I'm fast approaching the finish coating of 2 acousitcs. The sitka spruce tops are really bright. I'd like to tone them down a little and have been scouring the web for methods. Seems like adding amber toner in either the sand sealer or more likely the first set of nitro lacquer coats might be the the ticket. I see Stewmac has a Colortone stain called "Vintage Amber" that can be mixed into the nitro. Anybody have expirience with this pro…
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Hi Gerry, I recommend spraying a sealer chow it a light scuff and then one more sealer coat. If you are using lacquer, thin some 50% by volume and add TransTint or Colortone. Same dye and some of the…
I cut the fret slots for a baritone guitar build today, so I thought I'd share my method for cutting fret slots, as I think it is a bit unusual.
I radius and profile my fretboard before I cut the slots.
I print out a paper layout of the fretboard, double-stick tape it to the radiused and profiled fretboard, line up the saw by eye to using red hatch marks on the printout, and saw the fret slots with a 3" circular saw that rides on…
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Awesome! Can you share how you print out the fingerboard layout?
Hey all - I've got a couple Gibson headstock repair investments that I'd like to practice inserting splines for reinforcement (or I may go the backstrap method..tbd).
Do you have any jig recommendations or preferences? I've only seen the G&W option (which looks awesome), several ebay knock-offs and lots of DIY jigs.
I welcome your feedback. Thanks and all the best, Chris
I think this is my favorite. It's not my favorite technique overall, but this version, with the long splines that extend WAY past the transition of the neck is the best. https://mcconvilleguitars.blo…
Hi, I have a 1950's Gibson LG-3 that's had some poor work done to the spruce under the area of the bridge where the spruce has pulled away and or been sanded excessively. It's missing about .020-0.30 thou of spruce and I'm wondering/looking for advice about how to go about splicing in a thin piece of spruce before I re-glue the bridge. Please see pictures attached. My main questions are: glues for the patch, should the patch be mitered…
When faced with a similar job recently, I chose to glue the patch in place with epoxy, then used hide glue to reset the bridge. The logic being that 20 years from now when someone needs to reset the…
Before I hack into the Yamaha, I would like to get the opinion of the experts on a method of steaming the upper end of the guitar and ‘pressing’ the neck down to adjust the angle back to factory. There are several you-tubers that have tried and recommend it. My novice intuition is that even though it may work, wont the steaming of other areas of the body such as upper braces, etc, end up weakening the construction (glue stability) to…
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Thanks for all of the inputs. I am going to order the foam cutter package. I will try to post some pics of the FG200J. In the meantime, I just got done doing a neck reset of a crappy Fender that ha…
I am looking for new ideas on tools or methods for cleaning under partially loose braces to insure a good glue joint. In the past I've tried flossing with sandpaper, using the metal cutting edge from a wax paper box, maybe some extra thin files. In this job, one of the loose braces is up against the bridge plate, so it's impossible to pass something all the way through. The loose parts are marked with the red ellipses.
Hello everyone, I use a Stewmac japanese fretsaw (which produces .023" wide fretslots, matching the width of the tang of stewmac wire) to recut my slots on refrets. The saw does a good job making the slots deeper, but struggles to make them wider and binds like crazy throughout the process. I think that is due to it not having enough (or any) set, so in theory it only cut downwards and does a poor job removing material from the slot wall…
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My fretboards are done with a table saw & correct SM blade, if i need to touch them up after radius i go between the jap saw & regular one sm sells. yellow wax to stop them from sticking when cutting…
For my current mandolin build, I set out to answer 2 questions: 1. Whether to use physical deflection or frequency analysis to measure stiffness, and 2. How well can I measure wood quality in rough sawn form? (T. Gore says it needs to be planed smooth and rectangular for frequency analysis.) I have 4 different topwood species available for my current build: California Sitka, Englemann, Lutz, and Coastal Redwood. The billets range from 37…
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Hello Neil, I also measure wood properties when I build mandolins and what you did is very similar to what I have tried, so I'd like to share some thoughts and comments. From my engineer point of view,…
Hello fellow looths! I recently had a customer come in with a '71 Fender neck that is a fusion of the 60s and 70s style. It has a veneer fretboard, no skunkstripe, 4 screwholes, 70s style tuners, 70s headstock logo, and it seems like it has a poly finish on the back of the neck, and nitro (with cracking) on the front of the headstock. Can anyone tell me if this combination is possible or could it be fake? Another thing is, even without th…
Hey Tony, thank you for your info, and sorry for the late reply. I don't spend much time in the loothgroup.. You have an amazing setup! The sheetmetal underneath is genius! I have to build something li…