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Just starting to research these items, so forgive the noob question/s… Can these two items be combined? I.e. could one fasten the Erlewine neck jig to the Proper workstation? Or are they two completely different items? Does the Proper workstation allow you to do fretwork under string tension, or is that only on the Erlewine jig? Or could you possibly buy both items, then switch them out on the same mounted post? My primary issue I’d like…

I’ve got this early Gibson A mandolin that has been separated for a long time. Even without string tension I can’t line the back up for repair. Any ideas? TIA

I was recently asked to do some set up work on a Taylor GS Mini when I noticed the bridge beginning to lift at the back corner on the treble side. The pickups/electronics are mounted through the bridge plate and bridge, which is not something I've dealt with before and I'm wondering about how you all approach bridges like this. Any tips, tricks, warnings, etc. Would you tend to remove the bridge and reglue (if so, how nightmarish is it d…

Hi, I have a 2021 58 Flying V reissue. The neck joint has started to pull away from the body at the back. It's only separating in that one area. All else is solid and it holds string tension just fine. I can force the joint open a bit with string tension and some pressure. What type of glue should I use ? I need something that will seep down into the joint. Thanks

Hi everyone! I'm looking for advice about heat treatments for a warped neck, I know they are a thing but I've never actually done one. I have an Epiphone Les Paul in the shop that originally I was only going to do a level/crown/polish and a setup on, but when I tried to adjust the truss rod and checked the fingerboard with a straight edge I noticed there was about .030" of relief in most of the middle section, which was pretty consisten…

Hi everyone, in the loothalong I shared this spreadsheet I put together a few years ago, based on D'ADDARIO phosphor bronze strings data, and Elixirs' as well. There are a few different tables for standard 6 strings, fanfrets, harp guitars, baritone and 12 strings. You choose the relevant table, input the scale length, string gauges and tuning, the spreadsheet will give you individual string and total tension in lb and kg. For the fanfret…

What is going on here? Ender 3 neo. Have tried multiple filaments. The extruder is in good condition. It is spinning but filament isn’t being pushed through. Just put a fresh nozzle on. Increased tension on the extruder.

Breedlove Roots D/SRH (basically an HD28V) on the bench with a non functional trussrod. Wrench will engage, but the nut just spins and no change in relief in either direction. Pretty sure the nut is stripped at the rod end, but due to the neck block design, there's no way to access it without pulling the neck. Anybody ever replace a trussrod in one of these? The neck is a bolt on, and the fingerboard extension is glued down, so only…

I have a client bringing an Ibanez with the Bunker Tension Free Neck system in for a setup. I've read a good bit about these necks, but I've never worked on one. Any pointers/cautions will be appreciated. Thanks!

Just realized that I posted this on the main feed earlier and should have posted it here. Apologies for my poor posting skills. Will go and delete the original now.... Hello all, I’m new around here and excited to continue lurking and learning, taking in all the great content and the knowledge of all you experienced looths. I am more familiar with building than repairing, but I am interested in learning all I can about both. I’m happy to…

Looking for advice on the best product and technique for getting adhesive deep into this tight crack. Under string tension, the headplate has a visible stress line but no damage in the finish. The crack does open a bit with a little pressure but I’m hoping to avoid cracking through the HP. Thanks so much

Two pieces of maple, each of which were measured beforehand and then cut up and epoxied back together to keep things as consistent as possible. Even the orientation of the grain was the same to avoid any impact of vertical vs horizontal grain lines. The plain maple had one layer of 300gsm 12k unidirectional carbon fibre between each piece, the flame maple had two per lamination, which may be why it sees a smaller gain afterwards? Lots m…

I recently installed a new "Billet T-Bridge" on a Mule tricone resonator guitar. The neck center line on this instrument is pointing 9/32" toward the treble side of the end pin. This means the saddle has to be as far to the treble side as possible so that the strings line up on the neck. This makes the angle of the treble strings coming out of the tailpiece more splayed than the bass strings. The guitar is coming back, as the player s…