Ok, I'm a new builder and I've only done solidbody electrics so far, so this question is related to only those. In my opinion, these are the things that have the most impact on tone, listed in order from most influential to least. Have at it! Pickup/electronics, neck joint type, neck construction (including fret size/material), scale length, bridge type, bridge saddle material, tone wood Of course, this only takes into account the guitar.…
I'm not an expert electric builder but I think I'd go something like pickups 70% Body type (archtop/solidbody/variations thereof) 15% setup 10% vibes 5%
Hi everyone, We’re really excited to be joining The Looth Group as new sponsors, and we wanted to take a moment to introduce ourselves. I’m Ben, and together with Paul McGill we run Go Acoustic Audio. Paul is in his 50th year of guitar making — a milestone that speaks to both his craftsmanship and his persistence in chasing better sound. He’s spent a lifetime building instruments for players at every level, listening closely to what works…
What support or bracing is common around a soundport that is placed on the upper bout at the edge of the instrument, where the lining or kerfing typically holds the guitar together? I've been able to find info on direct top or side upper bout soundports, but I haven't had much success when looking for the support structure once you've cut into both the side and top. Any resources or tips would be appreciated.
Hey Cory, Here is my method which came from Sergei deJonge; I add at least one layer of lamination materiel on the inside of the rim behind the location of the soundport. Must be done prior to gluing…
I had a very unique instrument come into the shop yesterday. It's an American built Weissonborn/lap guitar (*spelling). The top has separated from the kerfing and sides on the lower left bout, and was raised significantly while under string tension when the customer dropped it off. I have a two fold problem as I see it. Applying horizonal pressure to a very light and fragile instrument, and getting enough glue into the separation where…
Hey KT, I do a few ideas about how to go about this one. If you'd like to discuss them, by all means reach out to me. Email is probably the best. My email is [email withheld]. we can set up…
Hi Everyone,I hope you’re having a great weekend!
Can anyone help diagnose my mystery B string buzz? I tried to attach a video but the site won't take it.
I’ve tightened all hardware and the b string is not hitting any frets.
I’m giving it a set-up and when I had to lower the nut slot height of the B string it improved a bit.
When I capo at the first fret the buzz disappears so it seems to be something going on at the nut. …
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Hi Ian, I just sent the email. Thank you for your time and attention!
A customer brought me a new Hummingbird with fret buzz a few weeks ago. After performing what may be the best levelling job I've ever done, the buzz was reduced, but still noticeable, though it sounded different than normal fret buzz. When I noticed that the sound was worst when playing F2 (on the A string or D string), I did a frequency analysis and discovered that the main top resonance was at 163.9 hz, and it all made sense. Those…
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I am getting way above my pay grade here, but if you accept that (1) a wolf tone occurs when the impedance mismatch between string and soundboard is minimized and a resonance is created (allowing vibr…
Would you have any recommendations on wiring configurations and piezo controllers to replace the electronics in my Music Man Reflex, which used to have the Game Changer system? The guitar has an HSH pickup configuration with a piezo bridge pickup. It has three existing holes for Volume/Tone/Blend, a blade switch slot, and a 3-way switch hole. When I bought this guitar about a decade ago, the Game Changer system offered a mind-numbingly a…
Just finished my 7th acoustic guitar and have an issue that is perplexing me. Before putting strings on the guitar the bolt on neck fit very well. However after stringing up there is a tiny gap at the heel (please see pic). If I take off the strings (removing string tension) to floss the joint the gap isn't there. Does anyone have tips to remedy the issue?
Neck block could be flexing. Threaded insert could be pulling out. How much have you coved out from the heel ? Do you have any pics of the neck and neck block not assembled etc ?
Hey all, I am really enjoying digging through the looth group. I have not yet watched all the ding kings vids or read all the amazing comments and articles here, but I've been appreciating some of the loothing for dollars stuff, seeing other people's intake sheets, discussions about dealing with customers, and it led me to this question: How do people deal with customer expectations, liability, and the inevitable accidents that can happ…
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@member some really solid perspective here, thank you. You're so right regarding the bit about some of the more abusive customers being the most obsessed with cosmetics, to paraphr…
A fella left his 1994 Gibson Blues King locked in a damp garden shed through a hot humid summer. See attached pics! The clear coat has lost adhesion pretty much everywhere on the neck, back and sides, and is starting to let go on the top too in places. But 95% of the colour underneath seems to be hanging in there. Customer is open to a full refin. But I'm wondering how exactly the colour on these was applied, why it seems relatively…
Question for the group.. Let's say you start with a new nut blank and leave it too tall, but cut the slots to the proper depth. So you are left with a scenario where the strings are fairly buried in the nut (not protruding from the top), would that affect playability or just potentially cause binding issues and look bad? Thanks, James
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Said above perfectly - I also believe that when having high "walls" in the slot, the strings don't ring out cleanly.
Call for Luthiers and Small Makers Daymaker Music – Bainbridge Island, WA Daymaker Music is opening this November in downtown Winslow in Bainbridge Island, and we’re inviting makers and luthiers who value craft, sustainability, and community to help us shape what customers see and hear when they walk in. We’re looking for small makers, independent luthiers, and custom builders who want their instruments on a dedicated wall of our new retai…
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Thanks for the callout. I'll reach out soon to learn more. Best, Chris
Hi all, A customer brought in a 1970 Maton CW80 12 string...it needs a neck reset. Has anyone done this successfully (or alternatively have a sad story about how it's impossible)? I found one article detailing a workaround and showing a very odd neck architecture (https://harmensmusicblog.blogspot.com/2019/05/maton-cw-806-1977-dreadnaught.html) - doesn't sound/look promising....Any feedback welcome :) cheers, Steve.
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You should jump on the Loothalong during the week after 7pm Central sometime. I'm usually here with Josh Rippingale from Australia. He's reset hundreds of Maton's almost on a weekly basis. I see him w…
Hey Loothers, A client reached out requesting a neck with wider nut for his headless Ibanez 7 string. He would like it built with rosewood for the neck and the fret board which has been stored for years at a consistent 45 to 50 % humidity in his home. The frets are angled to make it play more ergonomically but it is not a multi scale instrument. He plays finger picking fusion style and simply needs more neck width at the nut to play mu…
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@member Its plausible that no one wants to touch this project, but I'm curious if we should have a "help wanted" section for folks that might want to pick-up jobs. Maybe not a need, but thought I…
I had a client dropped off his Suhr JM Classic for a pot replacement yesterday. The fretboard extension hangs over the pickguard on these a little so I flipped it over to loosen the neck screws a tad. I found what looked like 3 missing neck screws and only one screwed in place. The one screwed in place was bright and shiny. I removed that screw and the neck would not budge at all. I focused a pin light into the neck pocket holes to find…
I finally heard back from Suhr. They quickly admitted that they used to relique all the screw surfaces instead of just the heads, weakening them in the process. This is a known issue in their enterpri…
Refretted my Yamaha Studio Lord 550 with jumbo frets. This is my second
fret job. First was on a bolt-on BC Rich neck. The Studio Lord (Les Paul copy) was my first set neck
project. It is pretty good. No fretting out. I set the action at
4.5/64 on bass and 3.5/64 on the high strings. Today I noticed that if I bend a high F to G (13th fret on first string), the note frets out (I can get to F # no problem by bending from the 13th).
This is equally suitable for "New Build" and "Repair and Restoration" sections of Share Your Content...! I have recently done a few posts on Instagram about my plan to build a number of "cheap and cheerful" ukuleles which will (I hope) promote both my brand and the little country of Luxembourg, where I live. They will be on sale in a craft fair later this year, so will be priced to attract casual passers-by. I made some fun marbled paper…
Dear looth community/colleagues around the world, During 2023/24 I have developed a digital gauge to measure so-called longitudinal twist of (bass) guitar necks: the LTwist® gauge. Just to be clear, this is about the "cork screw" type of deviation along the length of a neck, not the bow of a neck. I think there is no need to explain how a too severe neck twist can make it difficult or even impossible to set up a stringed instrument (guita…