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I was approached by a local music venue about finishing over the signatures on this Dean guitar. I have finished over signatures before, but never an entire guitar. The main challenges, as I see it, with this endeavor is prepping the existing finish. Cleaning the existing finish without disturbing the signatures will be time consuming enough, but abraiding/sanding the finish will be cost prohibitive. I have already experimented on a test…

Hi friends, I just stumbled upon a 1966 P-Bass, nearly completely original. The owner bought it in 1971 and it had already been stripped of its original finish. That was a thing back then. You can guess that 55 years of gigging had the wood absorb much of the owner’s DNA and sweat. Maybe a few beers as well. Surface was quite tacky as you can expect. I cleaned it with naphta and StewMac’c brand-new cleaner (quite a great product I'd say…

This is an LP copy from Memphis guitars. It looks like it has had the headstock repaired at some point. Also, there is what looks like some separation of the fretboard near the nut. I don't know if its left over from the repair or if its something new and just trying to go this way. I'm asking the group to look at the pics to help me figure out if any corrective steps are needed. Also from a finish repair standpoint, how to deal with i…

Rask Guitars — Utah (relocation required) Rask Guitars is a Utah-based custom shop dedicated to building exceptional instruments — primarily high-end acoustics, alongside electric guitars and prototypes. We operate with a small, focused team where craftsmanship isn't just a standard, it's the entire point. We're growing, and we're looking for a skilled, experienced luthier who's ready to plug into a real production environment, contribute…

Hello again folks, how is everyone! So I'm curious about what people here think about re-tops, who's done them, and what sorta ballpark rates you've charged for past completed jobs. I've got a bit of a wild one here, so strap in if you've got a couple minutes for story time! Back in 2012, I traded an HD28V of mine for a cool 1966 D-35 that needed some work. Basically, the body and neck of the guitar were fine apart from…

Hi all, I'm new here. I've been playing guitars for ~15 years and recently started as a technician at a music production school in London, where part of my job is maintaining the guitars. I picked up this 50s parlor nylon the other day and it's in bad shape but I don't know how to go about repairing it. The main issue is the bridge. The guitar was kept high strung and the bridge has twisted and lifted off slightly at the base. T…

Hi all. Brand new member. I’ve been building a classical guitar via kit from LMI for a couple of years now. I keep putting it off but recently became motivated to get back to it. Unfortunately LMI is out of business so I now have no one to go to to ask questions. I’m at the stage where I’m putting the sides together in the form. I followed the dimensions for the form based on the plans as I measured them, but the sides overlap pretty ba…

Hi, I have a 1950's Gibson LG-3 that's had some poor work done to the spruce under the area of the bridge where the spruce has pulled away and or been sanded excessively. It's missing about .020-0.30 thou of spruce and I'm wondering/looking for advice about how to go about splicing in a thin piece of spruce before I re-glue the bridge. Please see pictures attached. My main questions are: glues for the patch, should the patch be mitered…

Hi everyone - I recently ran into trouble making new nut for one of my necks that needed to be trued and re-fretted. I roughed in the nut as usual and then, with the bass guitar fully assembled and strung up, I started cutting the slots to depth. I use the StewMac digital nut slot depth gauge and have had good results in the past. I marked the nut's lowest points (radiused) using the guitar nut scribe tool (first time using this!) and c…