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Hi everyone - I recently ran into trouble making new nut for one of my necks that needed to be trued and re-fretted. I roughed in the nut as usual and then, with the bass guitar fully assembled and strung up, I started cutting the slots to depth. I use the StewMac digital nut slot depth gauge and have had good results in the past. I marked the nut's lowest points (radiused) using the guitar nut scribe tool (first time using this!) and c…

I’ve been building electric for a few years but decided to make an acoustic this time. I have some German spruce panels I was going to use for the top. While running it through my drum sander to dimension it, I noticed that both panels have matching 6-8” cracks so the original blank must’ve had a split pre resawing. Would I still have good results if I glue the panels and move on or should I buy a new top set? (I can’t return what I have…

I just read a small note in a new OM plan (GenOne) I'm using that suggested maple as an alternate wood for the inside center strip between the back braces. Wondering what would be the downside of that (passive back). A curly maple strip would certainly be attractive, and the mass/ stiffness difference is virtually negligible for a passive back. Thoughts? I'm cutting braces this week...

Speaking of Trevor Gore... I've started using falcate bracing on my ukuleles and in making the braces, 3 strips of .0625" spruce are bent and then put in a bent lamination glue up rig using epoxy. Bending spruce is no fun on a hot pipe. It's slow, fussy, the fibers want to delaminate. I have been thinking about building a small dedicated steam box. Pulling all 3 of the strips out at once and bending them over a form with a metal back…

I'm reading the Design book of the Gilet/Gore set (2nd Edition) and ran across something that surprised me. Under "Top bracing layout - guidelines" (Section 4.4.8, pp 4-52) Gore writes, "Brace ends that are housed into the linings stiffen the edge of the soundbard considerably and so constrain its mobility. Unless you are chasing a particular effect, it is generally not very beneficial to house the lower bout braces into the linings." My…

Hey everyone, I had a question on guitar building and overcoming something of a mental hurdle that I have. Quite awhile back I had access to a CNC machine and routed some Stratocaster bodies which you can see in the pictures. I was mostly pleased with how these turned out, but there are a couple of issues. On the cherry bodied guitar, the seam is off center and I had some blowout at the upper horn location, which caused me to try and cu…

I’ve used thin plywood slats forever in my go bar deck, but I think I’m ready to try fiberglass bars. What’s the consensus on a good source for these? Also for some reason, I seem to remember seeing someone using fiberglass slats. Maybe they were manufactured for sail stays? As in on a sailboat. Thanks in advance for any ideas.

A while back I saw a Canna Guitars video on Instagram and thought his use of the “wave” scarf joint between his neck and headstock was an interesting use of CNC. But it got me thinking about other options, and this idea percolated in my brain: Cut a regular scarf joint, but then using a CNC cut a tenon into the neck, and a mortise/dado into the headstock. (Obviously you could also do this by hand with a saw and chisel). The joint would i…

Technically this is a repair, but I thought there would be some crossover with building, so I posted here as well. A 1950s Gretsch Town & Country Rancher 6021 is missing the two braces on either side of the sound hole (see photo). Because this is such a wide instrument (17” lower bout), I’m thinking that installing those missing braces will help with the stability of the top in addition to repairing the cracked/loose ladder braces. The…

Hello all, A customer dropped a recent American Professional II Strat to have a Double-tap humbucker installed at the bridge. I rewired the guitar following Fender's schematic (see below) and installed a stacked 250 and 500k volume pot, treble bleed PCBs and push-push coil split/tap for this pickup. All went very well, until I tried it at switch position 2. Sure enough, the new unit does not play well with the others and combining delive…

In Michael Baskin's on-line video, he uses a frequency test of a guitar in the white to determine whether to thin the lower bout before finishing. The guitar in the video has a bridge attached. I'm wondering if this is the final bridge or something temporary. If the latter, how do the results compare to the final frequency analysis? I've used a bolt-on bridge to do the same, but don't have enough data points to draw a firm conclusion…

For my current mandolin build, I set out to answer 2 questions: 1. Whether to use physical deflection or frequency analysis to measure stiffness, and 2. How well can I measure wood quality in rough sawn form? (T. Gore says it needs to be planed smooth and rectangular for frequency analysis.) I have 4 different topwood species available for my current build: California Sitka, Englemann, Lutz, and Coastal Redwood. The billets range from 37…

Hello All! My first post and I'm very happy to be here and share the highs and lows of this pony ride. After years of bending sides on a hot pipe or bending machines belonging to 'other people', I finally built myself a bending machine. Functionally it is great, but the result on some test material was far from great. See pictures attached. What you see here is a doug fir 'test side' that certainly came out guitar shaped, but oh my, what…

Hi, I'm wondering how to achieve this color on a guitar. It's Sparkle Burgundy. I suspect the clear varnish has yellowed with age, which is why it has a coppery effect depending on the light. Can you recommend a varnish to achieve this effect? ​​Should I use a UV lamp after varnishing to age the varnish? Thanks in advance for your help.

Hello, I am building a bass VI for a customer. As with a Fender Bass VI he wants a control plate with 4 slide switches. 1 on/off switch for each of the 3 pickups, but with the 4the switch he wants to control the phase of the middle pickup. Any suggestions as how I should wire that? thanks!

Hello friends - I am a bass guitar builder who is considering building a neck-through Flying V-style guitar with a 25.5" scale length and a Floyd Rose tremolo bridge. I have not built any neck-through instruments and would appreciate any guidance on where to begin with respect to laying out the design, in particular, getting the neck angle right and the headstock angled properly. Any resources are welcomed and if someone has any interes…

I'd like to start doing a hard copy of notes on my guitars. Does anyone have a build record sheet that they could share? I have some ideas of what I want to put in it, but I'm open to suggestions. Ultimately I'd like to photocopy a bunch of them and get them bound into a book for my benchtop.

Ok, I'm a new builder and I've only done solidbody electrics so far, so this question is related to only those. In my opinion, these are the things that have the most impact on tone, listed in order from most influential to least. Have at it! Pickup/electronics, neck joint type, neck construction (including fret size/material), scale length, bridge type, bridge saddle material, tone wood Of course, this only takes into account the guitar.…