in for some top cracks and playability issues, neck is underset by almost 1/8" with significant hump at the joint...just got the strings off and got a better peek under the circus tent and... how the what the why? i just... really I... ummmm....can anyone guess what is going on here? Tempted to hand it back over any half-measure foolery. Third Japanese built one in this year but I've not seen this sort of hijinx...
This is precisely why Leo Fender developed the insideless guitar. A compromised neck block is super hard to come back from and when I see something like this, it leads me to believe that it's the tip…
Doug Proper - Guitar Specialist, Inc.VideoRepair and RestorationLite
I working through a long top crack repair on a c.1964 Fender Newporter and need to do a little touch-up on the clear coat. The top coat is matte over a do-do brown stained mahogany top, I'm guessing around a 10-20% reflectivity. Questions: 1. What top coat product did Fender use on these? 2. What should I use that has great self-leveling qualities and will melt into the old finish? <>
I've decided to follow your wisdom, Ian, and it leave the finish cracks alone. It will be structurally sound again and look like it used to have a crack.
It was attacked by a Martin Dreadaught on a small mountain stage resulting in a faceplant. The top is Redwood. I was able to get it to glue up fairly well and have done some splice and drop fill on the vertical cracks. I'm curious about suggestions for the deep cross grain areas. I am hoping to not re-shoot any lacquer and just rub out the finish with some Kovax dry sanding. It was never high gloss buff to begin with and it's a personal…
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@member Thanks Ian, I also have some ultra thin fill&finish on the way. I will do some experimenting with it and see if it can help me out any.
Hello looths! Long time lurker, first time poster here all the way from New Zealand. I have recently acquired this 2008 Martin D-35 for a very cheap price ($1000 NZD - around 600 US!) it's dried out in a very cold environment and has two substantial cracks running all the way across the top, one large side crack, and a previous side crack repair that's been done quite poorly. I'm only about 3 years in to this repair journey and this is d…
I thought I might add an outlier of an opinion here. I understand the temptation to close the cracks with higher humidity, but you're asking a lot of adhesives, reinforcements and human attention span…
Hi all, I got a Do Santos DSMSCC RC in shop, the Spanish heel has failed , or rather collapsed into the soundboard, splitting it on both sides along the grain, a broken brace just under the fingerboard extension , cracks on both sides on the top/side bindings, I measured wood humidity on the fingerboard 9% and inside the (very inaccessible) body 11% The normal procedure would be to re-humidify before jacking or clamping back into place ,…
Question about splines: At what point are they necessary? My question is primarily regarding the crack to the left between the bridge and the sound hole as well as the crack at the upper bout that runs along the fingerboard extension. I have already glued them both and used the TJ cleats that run the full length of the cracks. I have already splined the lower bout crack that runs from the bridge to the binding as it was super gappy and d…
A customer brought in a Gibson ivory top A3 mandolin. It's in good shape and has all the parts. He found it at the local thrift store here in Bishop. He wants it mechanically sound. Here are the problems: 1) Everything that comes into the shop has a shrinkage component and the effects of course very from instrument to instrument. This instrument is no exception and the results of that shrinkage, in this case, are severe. The top, ba…
@member Man, sorry for the late reply. I would just keep on taking this mandolin apart until you meet serious resistance. I'd build a mold and just trim it until it fits and…