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Private member DiscussionAcoustic Builds

Neck block for adjustable neck -thoughts on design

I've built a number of classical guitars with an adjustable neck and they seem to gather quite a bit of interest, so i'm currently in the process of looking to refine the design and build. It's quite a simple construction where the neck is held together by string tension and hangs on a pivot. I developed a 3d printed "socket" which acts as the interface between the body and the guitar and allows for some fine tuning of the alignment of t…

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Not really answering your question but I've done a version of the Smallman/Gore joint (I think it's really just Smallman but whatever) on all my guitars (nylon/steel/gypsy). I'm not particularly conc…
Private member DiscussionAcoustic Builds

New Acoustic Build - Having trouble

Hi all. Brand new member. I’ve been building a classical guitar via kit from LMI for a couple of years now. I keep putting it off but recently became motivated to get back to it. Unfortunately LMI is out of business so I now have no one to go to to ask questions. I’m at the stage where I’m putting the sides together in the form. I followed the dimensions for the form based on the plans as I measured them, but the sides overlap pretty ba…

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Structurally you are fine. When you glue this up (this is important), make sure your sides are clamped in the form VERY snug so there are no gaps between the sides and the forms. This will leave the…
Private member DiscussionAcoustic Builds

Trevor Gore on tucking top braces into linings

I'm reading the Design book of the Gilet/Gore set (2nd Edition) and ran across something that surprised me. Under "Top bracing layout - guidelines" (Section 4.4.8, pp 4-52) Gore writes, "Brace ends that are housed into the linings stiffen the edge of the soundbard considerably and so constrain its mobility. Unless you are chasing a particular effect, it is generally not very beneficial to house the lower bout braces into the linings." My…

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That makes a lot of sense -- thanks. And yeah, I build for fingerstyle -- especially with OMs -- so that may be more of what I want. I'm building just for myself right now, so I only need to please my…
Private member DiscussionAcoustic Builds

Stainless Steel Fret Wire

Hi, does anyone have experience with Stainless steel fret wire on acoustic guitars or more specific on classical guitars? Up to now I only used the traditional Nickel/Silver fret wire but recognised that after a few months they start to get mat or tarnish despite polishing them. I wonder if that is because of the origin (Producing Company) of the fret wire or due to the alloy? During my search for fret wire that is not Sintoms and also av…

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I just re-fretted an original Taylor for a customer in Stainless and the customer was over the moon with the results and can’t get over how well it plays now. Really depends on the player I think. I j…
Private member DiscussionAcoustic Builds

New member intro

Being new here, thought I would post an introduction. My name is Paul McGill Mcgillguitars.com I have been making guitars since 1976. I have lived and worked in Nashville since 1985 when I relocated here to work in the repair/restoration shop at Gruhn guitars. 410 Broadway, now a novelty shop. I was there a short time before commiting full time to guitar making as I had done prior to moving here. My main influence as a guitar maker was Ro…

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Hope to Paul, We did the 3 amigos show down there last March I doubt we will do it again though. Paul
Private member DiscussionAcoustic Builds

classicalguitartuners.com

I just wanted to put in a plug for classicalguitartuners.com and Zebulon Turrentine. I was looking for some single classical tuners for a 7 string project and found his website. I was a little confused at first because he catalogs all the available tuners including ones that he doesn't sell but he supplies Der Jung (from Korea) and Gotoh tuners among others. I believe he can also get steel string tuners. The service and shipping…

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Private member DiscussionDesign and Testing

Vibrational Stiffness

@member @member I have a question for you. I'm starting to measure spruce for a couple of classical guitars I'm going to make. I used structured sides (I'm calling them cored) on one of my last guitars and it came out notably great. I accidentally thinned the top more than I might have and it seemed to work very well. My thought is that the sides are so stiff that it's allowing the top to survive structurally even…

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I’m running structured sides for all my builds. Though I’m debating doing a typical side build for other reasons soon regarding my neck joint at cutaway. The way I understand the structured sides is t…