I've built a number of classical guitars with an adjustable neck and they seem to gather quite a bit of interest, so i'm currently in the process of looking to refine the design and build. It's quite a simple construction where the neck is held together by string tension and hangs on a pivot. I developed a 3d printed "socket" which acts as the interface between the body and the guitar and allows for some fine tuning of the alignment of t…
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Not really answering your question but I've done a version of the Smallman/Gore joint (I think it's really just Smallman but whatever) on all my guitars (nylon/steel/gypsy). I'm not particularly conc…
A visual dependency map for Autodesk Fusion. It turns complex Fusion designs into an interactive map of model logic, helping users understand how parameters, sketches, construction references, features, bodies, and other design elements relate to each other. Instead of digging through dense timelines, browser trees, and feature chains, Node Atlas gives users a readable graph of how a design is connected. It is built for designers, builder…
Hi Everyone,
I believe this may be my first post here, so just a quick introduction — I’m Andrew in Milwaukee, WI. I’ve been building a few years. My luthier eyes were opened first by Charles Fox in Portland which led me to the Gallop School. I recently retired from a tech career and I am now based in Milwaukee, WI focusing on acoustic builds.
I’m currently exploring wood-body resonator guitars, and I’d love to learn more from t…
Hi folks,
I thought you might be interested in this approach to having easy height adjustment for a GoBar deck. I learned this tip from my buddy, Don Parker. He lurks around here too from time to time. :)
The basic idea is rather than having a booster platform on the base for use when gluing braces to plates you bring the roof down lower. There is a 3D printed spacer in black in the pics. I linked to a downloadable STL and 3MF of…
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Just FYI, as far as I know, go bars have the same clamping strength no matter how much they are bent. If you want a different level of force, you need a heavier go bar. Or vice versa.
Speaking of Trevor Gore... I've started using falcate bracing on my ukuleles and in making the braces, 3 strips of .0625" spruce are bent and then put in a bent lamination glue up rig using epoxy. Bending spruce is no fun on a hot pipe. It's slow, fussy, the fibers want to delaminate. I have been thinking about building a small dedicated steam box. Pulling all 3 of the strips out at once and bending them over a form with a metal back…
I tried it once for trying to bend mandolin sides. This was in 2006, back when the internet wasn't nearly as useful as it is today, so the attempt was pretty incomplete I think. If I remember correctl…
Ok, I'm a new builder and I've only done solidbody electrics so far, so this question is related to only those. In my opinion, these are the things that have the most impact on tone, listed in order from most influential to least. Have at it! Pickup/electronics, neck joint type, neck construction (including fret size/material), scale length, bridge type, bridge saddle material, tone wood Of course, this only takes into account the guitar.…
I'm not an expert electric builder but I think I'd go something like pickups 70% Body type (archtop/solidbody/variations thereof) 15% setup 10% vibes 5%