Hello, I just received an unfinished, slotted but not fretted maple neck from Warmoth. I believe standard practice is to fret then finish but I’m curious if it might be better finish before fretting? I understand one would want to prevent finish from entering the slots. I’m and going to use tru oil and do a light finish, maybe three or four light coats. Thoughts for this beginner? Dave
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My recent favorite neck finish is Boiled Linseed Oil. It gives a nice smooth, but not shiny finish when applied sparingly. As for fretting order, I would do the frets first so any potential damage to…
Good evening folks,
lately I'm experiencing some sanding methods/mechanism frustration. Can't explain better than look like I'm regressing at doing it.
The only thing changed in my building routine is that I'm currently using a CNC (I haven't used one for some years) for both bodies and necks. I have no problems with necks, but sanding bodies has become incredibly frustrating, specially around the edges.
While I keep improving my c…
Here You'll seehere pin tip sized bubbles. Nitro finish. It got hot in a case. They'll need a light amagolmater mixture applied to melt'm back into the surface. Im looking for advice on the recipe for said amagolmater....Straight retarder? Im not sure if Id need lacquer in the mix that I apply....Thank you! Colin O'Brien LittleCreek Instrument Repair, Nashville.
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Hello — I would like to finish a mahogany electric neck and body with wipe on poly (probably Minwax satin) and would like to pore fill with Z-Poxy. I can’t find a definitive word on their compatibility.
- Can I just wipe on the poly coats after block sanding the 2-3 Z-Poxy coats?
- Should the Z-Poxy be sanded all the way back to wood or just smoothed/flattened?
- Is a coat of unwaxed shellac between the Z-Poxy and the wipe in…
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I personally like to do a washout of shellac just in case.
Greetings fellow Looths! I recently received a request from a customer to replicate Kurt Cobains 59 Martin, starting with a Sigma DM3. I have pasted the customers email to me below. While I have been a looth hobbyist for many years, I just recently opened my official business, Finger Lakes Guitar Works, and am just getting off the ground and a good flow of repair work is already coming in. While I feel 100% confident in my abilities to…
Seems kinda annoying to me. The guy wants to spend a ton of money building a replica of a guitar but he's going to not use a guitar by the actual brand to do it? I'm going to go with this is going t…
Hi all. Brand new member. I’ve been building a classical guitar via kit from LMI for a couple of years now. I keep putting it off but recently became motivated to get back to it. Unfortunately LMI is out of business so I now have no one to go to to ask questions. I’m at the stage where I’m putting the sides together in the form. I followed the dimensions for the form based on the plans as I measured them, but the sides overlap pretty ba…
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Structurally you are fine. When you glue this up (this is important), make sure your sides are clamped in the form VERY snug so there are no gaps between the sides and the forms. This will leave the…
I'm fast approaching the finish coating of 2 acousitcs. The sitka spruce tops are really bright. I'd like to tone them down a little and have been scouring the web for methods. Seems like adding amber toner in either the sand sealer or more likely the first set of nitro lacquer coats might be the the ticket. I see Stewmac has a Colortone stain called "Vintage Amber" that can be mixed into the nitro. Anybody have expirience with this pro…
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Hi Gerry, I recommend spraying a sealer chow it a light scuff and then one more sealer coat. If you are using lacquer, thin some 50% by volume and add TransTint or Colortone. Same dye and some of the…
Has anyone developed, or know of for sale, a fixture that can be installed in an acoustic body (dovetail neck) during finishing? I'm approaching the spraying stage of my build and would like to be able to have a "handle" on the body that I can use to hold & hang the body during that process. Regards,
Hi -- I am planning to have a maple Thinline Tele top painted by an automotive paint shop. They've made a glossy and a matt sample for me and it looks great. I wonder if anyone has any experience with this, and specifically:
- if I bind the top first, will the paint stand very proud above the binding once I scrape the paint off the binding?
- the matt looks terrific, but it looks like it will burnish and get shiny in spots or line…
Just wondering, anyone doing Ken Parker finishing on an acoustic with the bridge glued on? I've been using the finish for a while but I'd like to start glueing the bridge on before I finish so I can acoustic test everything in its final state. I can't see a reason why I couldn't wipe the epoxy and oil up into the bridge joint and then remove it by rubbing but I was wondering if anyone has done it already. It would mean finishing the…
Hi everyone - I recently ran into trouble making new nut for one of my necks that needed to be trued and re-fretted. I roughed in the nut as usual and then, with the bass guitar fully assembled and strung up, I started cutting the slots to depth. I use the StewMac digital nut slot depth gauge and have had good results in the past. I marked the nut's lowest points (radiused) using the guitar nut scribe tool (first time using this!) and c…
That's actually not how that tool was intended to be used. That is essentially plotting a like to the top of the fret. With a bass, you would need much more than that. When James and I came up with th…
In Michael Baskin's on-line video, he uses a frequency test of a guitar in the white to determine whether to thin the lower bout before finishing. The guitar in the video has a bridge attached. I'm wondering if this is the final bridge or something temporary. If the latter, how do the results compare to the final frequency analysis? I've used a bolt-on bridge to do the same, but don't have enough data points to draw a firm conclusion…
Hi, I'm wondering how to achieve this color on a guitar. It's Sparkle Burgundy. I suspect the clear varnish has yellowed with age, which is why it has a coppery effect depending on the light. Can you recommend a varnish to achieve this effect? Should I use a UV lamp after varnishing to age the varnish? Thanks in advance for your help.
This is a guess, but I think that is a red translucent finish over bronze powder. Probably gold top powder. Some of the red has done been UVed out and the clear coats have turned yellow.
Hey everyone. I'm wondering if anyone has a good recommendation for a water based finish that buffs nicely. I currently use lacquer but I'd rather use something less toxic. One finish that's come up in my research is General Finishes Enduro line. Has anybody used that before?
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I switched from Nitro Cellulose Lacquer to Target Coating's EM-6000 last build. It was essentially equivalent to nitro without the long cure times or toxicity. And finish-sanded dry before buffing.…
I picked up a few samples of the Hard Wax Oil from LED Coating Solutions. I wondered if anyone has experience with this product, specifically with mixing liquid dyes to customize the finish. I'd prefer to tint the clear finishes as needed instead of buying so many samples (they are a bit pricey). Let me know. Thanks!
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Hi Chris, I have so many samples of these finishes, that I would have to see photos of the ones you have, please send me them; please post them here and I bet we have the same stuff. I have been addin…
Just finished my 7th acoustic guitar and have an issue that is perplexing me. Before putting strings on the guitar the bolt on neck fit very well. However after stringing up there is a tiny gap at the heel (please see pic). If I take off the strings (removing string tension) to floss the joint the gap isn't there. Does anyone have tips to remedy the issue?
Neck block could be flexing. Threaded insert could be pulling out. How much have you coved out from the heel ? Do you have any pics of the neck and neck block not assembled etc ?
Just joined the group and have only built 3 guitars so far but just ran into trouble on my latest project. Long story short: I built a '57 LP Jr that came out fantastic but the neck was set incorrectly and was nearly unplayable. I cut off the body and made a new one and applied the burst and a few coats of clear before gluing in the salvaged neck. To finish up the neck joint with a bit more black, I dusted off my 20 yo Paasche airbru…
I have a client who is going to paint a ES-335 kit guitar (Maple top and Back, Mahogany sides and neck). She will be using an Acrylic (Jesso) matte primer and then painting the entire guitar with Liquitex Acrylic water based paints. Poly finish on top of that. What steps do I need to take to prep the neck and body for painting? Sealer then grain fill then seal again? What products would you use? I have never done this before and am looki…
Are you going to be prepping the instrument before she paints it ? There are a lot of materials here that I've never used on a guitar. I would take the time to get all the materials together and test…