The Hub

Hello to the Council of Elders! My name is Joe Byron, and I am president of the Stringed Instrument Makers of Southern California (SIMSCal). We have been around for over 30 years and have a large number of members and followers. Our membership includes both professional and non-professional luthiers. SIMSCal meets 4-8 times per year (both live and virtually), and we share tips, processes, stories, and show off our work. We frequently inclu…

Hello Luthiers and Guitar Builders,We manufacture and supply high-quality natural bone Guitar Nuts and Saddles in custom sizes for acoustic, electric, classical, and bass guitars.What We Offer:• Custom-sized Bone Nuts & Saddles• OEM & Bulk Orders• Precision Cutting & Finishing• High-Density Natural Bone Material• Consistent Quality• Worldwide ShippingWhether you need a single custom specification or bulk production for your workshop or…

I've built a number of classical guitars with an adjustable neck and they seem to gather quite a bit of interest, so i'm currently in the process of looking to refine the design and build. It's quite a simple construction where the neck is held together by string tension and hangs on a pivot. I developed a 3d printed "socket" which acts as the interface between the body and the guitar and allows for some fine tuning of the alignment of t…

I have a Favilla Classical guitar on the bench, in for a bridge reglue. This is a low to mid-range classical guitar, made circa 1960, and it's an heirloom guitar for the customer, he basically wants it back in playing shape. The story is that he went away on vacation, and when he returned the bridge had delaminated from the top and took a fair amount of finish with it. It also appears that someone attempted to glob on superglue at some…

Video on Top Mapping a Master Built Robert Ruck Classical Guitar with a Magic Probe- at the end I talk about the magic probes benefit to some repair work.

Hello all, got a problem in a telecaster I rewired that has me in a twist. The basics: friend has a 2001 US Standard telecaster (left handed not that it matters). He bought it used and says it was quiet initially. A few years back he grabbed the pickups out of it and moved them to a new tele body with a torrefied maple neck he preferred. Recently he upgraded the new build with a Lollar CC tele set, and asked me to reinstall the original…

Hi all. Brand new member. I’ve been building a classical guitar via kit from LMI for a couple of years now. I keep putting it off but recently became motivated to get back to it. Unfortunately LMI is out of business so I now have no one to go to to ask questions. I’m at the stage where I’m putting the sides together in the form. I followed the dimensions for the form based on the plans as I measured them, but the sides overlap pretty ba…

I'm reading the Design book of the Gilet/Gore set (2nd Edition) and ran across something that surprised me. Under "Top bracing layout - guidelines" (Section 4.4.8, pp 4-52) Gore writes, "Brace ends that are housed into the linings stiffen the edge of the soundbard considerably and so constrain its mobility. Unless you are chasing a particular effect, it is generally not very beneficial to house the lower bout braces into the linings." My…

So, I made a modular clamp based on the split clamp idea. Started on a prototype about two months ago and finished it. What I was aiming for was a clamp that I could use on the BOTTOM of acoustic guitars as well as tops to clamp cracks, cleats, braces, patches etc. Especially a clamp that would access small openings like "F" holes, small sound holes etc. Essentially a way to get a clamp to areas not accessible to jacks, wedges etc.,…