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Epoxy Pore Fill question
When using epoxy (either silvertip or epoxy), I try to sand back the epoxy on the surface and only leave it in the pores. I'll start the process with sanding to 320g or so then using an air compressor to blow out the pores. The challenge that I run into is opening new pores in the process. I use a block of wood and long strokes in an attempt to avoid uneven sanding. Ultimately I'll get a good pore fill but I tend to apply several coats…
Experienced Builder and Red Wing Grad
Howdy folks, I'm a 2026 graduate of the two year guitar program at Red Wing (Minnesota State College Southeast). Between my two years at Red Wing I worked at Collings Guitars in Austin, TX for two years in the acoustic neck department, shaping and finish sanding ~2000 necks, radiusing and gluing ~750 fingerboards, and pressing ~100 sets of frets. I also spent a couple months in the finishing department level sanding and pore filling ~300…
New Product - Fill N' Finish Gel
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Les Paul: Repair and Touch-up (Part 3)
Wipe on poly over Z-Poxy?
Hello — I would like to finish a mahogany electric neck and body with wipe on poly (probably Minwax satin) and would like to pore fill with Z-Poxy. I can’t find a definitive word on their compatibility. - Can I just wipe on the poly coats after block sanding the 2-3 Z-Poxy coats? - Should the Z-Poxy be sanded all the way back to wood or just smoothed/flattened? - Is a coat of unwaxed shellac between the Z-Poxy and the wipe in…
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French Polishing with Ben Lambdin
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Acoustic Guitar Builder Club: Rubio Monocoat
Silvertip Epoxy on Stained Mahogoany Body & Neck
So, I've stained the body and neck and I'm in the process of applying several (3 or 4) coats of epoxy to them for pore filling. I watched Michaels video on the subject. My question is: When sanding the epoxy I beleive I should stay above the wood (stay in the epoxy) since it is stained, right??? When doing this same process on a body and neck that is not stained, I could sand back to the wood without consequence if I'm consistent…
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Electric Guitar Builders Club: Realistic Relics (Part 2)
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