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It was attacked by a Martin Dreadaught on a small mountain stage resulting in a faceplant. The top is Redwood. I was able to get it to glue up fairly well and have done some splice and drop fill on the vertical cracks. I'm curious about suggestions for the deep cross grain areas. I am hoping to not re-shoot any lacquer and just rub out the finish with some Kovax dry sanding. It was never high gloss buff to begin with and it's a personal…

Howdy folks, I'm a 2026 graduate of the two year guitar program at Red Wing (Minnesota State College Southeast). Between my two years at Red Wing I worked at Collings Guitars in Austin, TX for two years in the acoustic neck department, shaping and finish sanding ~2000 necks, radiusing and gluing ~750 fingerboards, and pressing ~100 sets of frets. I also spent a couple months in the finishing department level sanding and pore filling ~300…

I have a Favilla Classical guitar on the bench, in for a bridge reglue. This is a low to mid-range classical guitar, made circa 1960, and it's an heirloom guitar for the customer, he basically wants it back in playing shape. The story is that he went away on vacation, and when he returned the bridge had delaminated from the top and took a fair amount of finish with it. It also appears that someone attempted to glob on superglue at some…

Here You'll seehere pin tip sized bubbles. Nitro finish. It got hot in a case. They'll need a light amagolmater mixture applied to melt'm back into the surface. Im looking for advice on the recipe for said amagolmater....Straight retarder? Im not sure if Id need lacquer in the mix that I apply....Thank you! Colin O'Brien LittleCreek Instrument Repair, Nashville. Images

Hey guys, does anybody know of a good alternative to mixol? I use it in lacquer for mixing opaque colors and it's great but I've been on the lookout for something more affordable and haven't had much luck. Wondering if anybody here knows of anything. Thanks!

I have a Taylor Acoustic in for a setup and I had a couple of questions: 1. My main one is how you would go about gluing the label back on? I'm probably overthinking it but I'm curious if there's a universally recognized way of doing this? 2. I have some very minor finish damage which I'm not planning on touching, but I am curious how one would go about repairing it. Would this be a case of drop filling lacquer? What would be the…

Hi all, I'm new here. I've been playing guitars for ~15 years and recently started as a technician at a music production school in London, where part of my job is maintaining the guitars. I picked up this 50s parlor nylon the other day and it's in bad shape but I don't know how to go about repairing it. The main issue is the bridge. The guitar was kept high strung and the bridge has twisted and lifted off slightly at the base. T…

Need some guidance for binding repairs. I'm using the "Martin method" using CA glue and tape for re-attaching the binding. From there: Scrape glue 400 grit to level Brushing on Lacquer 400 grit to level Meguiars #1 Meguiars #3 Meguiars #7 All by hand. But I recently purchased a Proxxon hand polisher. I'm still getting big marks. Its usually "ok", but I'm noticing huge swirls. Not pro. I do not have the money/space for…

I'm fast approaching the finish coating of 2 acousitcs. The sitka spruce tops are really bright. I'd like to tone them down a little and have been scouring the web for methods. Seems like adding amber toner in either the sand sealer or more likely the first set of nitro lacquer coats might be the the ticket. I see Stewmac has a Colortone stain called "Vintage Amber" that can be mixed into the nitro. Anybody have expirience with this pro…