The Hub

I was approached by a local music venue about finishing over the signatures on this Dean guitar. I have finished over signatures before, but never an entire guitar. The main challenges, as I see it, with this endeavor is prepping the existing finish. Cleaning the existing finish without disturbing the signatures will be time consuming enough, but abraiding/sanding the finish will be cost prohibitive. I have already experimented on a test…

I'd like to add some cherry nitro to this spot but how do I avoid the dark line around the perimeter that typically forms from adding a touch-up? I.e., what is the best strategy for blending what i'm adding to what is there?

Dialled in the Beta, much further. Now at v1.1.0 Echoing Christopher Alexander’s argument in the first half of “Notes on the Synthesis of Form” here. Parametric, Semi-Lattice Structures. Centres within Centres, interacting to form the whole. A living structure. Because of the dimension of time, and feature hierarchy, and methodology we end up with a Centre Oriented Semi-lattice Hyper-graph, or COSH for short. This will be available on the…

Hey all. I apologize if this type of post isn't allowed here but wanted to share anyway. I've been building a tool called Looth specifically for luthiers and repair techs, and I'm looking for a small group of interested looths to help shape it a bit more before it goes public. I got tired of managing spreadsheets and decided that it could be simpler and more automated. The core idea is simple: one place to track every build…

Hi everyone, I'm Martino from Hub of Acoustics, a collaborative project created by luthiers for luthiers. Our goal is to explore and teach acoustic principles that are directly relevant to instrument making. In 2026, we’ll be running four courses in different parts of the world, all focused on giving luthiers practical tools to better understand and control the acoustics of their instruments. We’re excited to introduce our very…

Hi all. Brand new member. I’ve been building a classical guitar via kit from LMI for a couple of years now. I keep putting it off but recently became motivated to get back to it. Unfortunately LMI is out of business so I now have no one to go to to ask questions. I’m at the stage where I’m putting the sides together in the form. I followed the dimensions for the form based on the plans as I measured them, but the sides overlap pretty ba…

https://www.instagram.com/reel/DWAuW40jAR_/?igsh=MW1jNDdoYzllMGFmMA== I’ve spent a few overly caffeinated days bouncing between modelling environments, different combinations of operations, tools.. subtle differences in how the coffee is brewed. In short… • Building Iso Curves in Sketch. Defining the surface structure and flow • NURBS Surfacing from curves, smooth intentional surface topology. • BRep Face to T-Spline in Form Environment. Org…

Back at tinkering with the new Isoparametric Curve tool in Fusion. Scroll down to PICTURES LETS GO! If you want to skip this little walk through Autodesk Fusion memory lane, clearing up some of the UI conFusion. Why something so seemingly basic, is just being added today. 2009- Autodesk Inventor, hybrid modelling experiment, parametric and direct CAD in one hybrid system. 2011- Autodesk acquires T Splines Inc. an organic modeller still in…

The photo shows the x-brace in a Seagull SMS guitar (predates the S6 model I think). I've reglued the loose brace end and want to add some reinforcement. Normally I prefer a wood cap over the joint but you can see the top of the braces is pretty narrow. I have some muslin cloth I can use, but not sure I can get it to form tightly over the two braces. Looking for some suggestions.

Speaking of Trevor Gore... I've started using falcate bracing on my ukuleles and in making the braces, 3 strips of .0625" spruce are bent and then put in a bent lamination glue up rig using epoxy. Bending spruce is no fun on a hot pipe. It's slow, fussy, the fibers want to delaminate. I have been thinking about building a small dedicated steam box. Pulling all 3 of the strips out at once and bending them over a form with a metal back…

For my current mandolin build, I set out to answer 2 questions: 1. Whether to use physical deflection or frequency analysis to measure stiffness, and 2. How well can I measure wood quality in rough sawn form? (T. Gore says it needs to be planed smooth and rectangular for frequency analysis.) I have 4 different topwood species available for my current build: California Sitka, Englemann, Lutz, and Coastal Redwood. The billets range from 37…

I bought the O'brien vacuum clamp and a pump to clamp bridges on new builds, but also to use for repair work. I got tired of making custom top and bottom cauls for every odd-shaped bridge that comes in my shop. The vacuum clamp works great on a flat surface with no pick guard. I put it on a J45 with a pick guard, and it won't seal. The gasket is too hard to form over the pick guard. I've seen YouTube videos of other folks using vacu…