The Hub

I've built a number of classical guitars with an adjustable neck and they seem to gather quite a bit of interest, so i'm currently in the process of looking to refine the design and build. It's quite a simple construction where the neck is held together by string tension and hangs on a pivot. I developed a 3d printed "socket" which acts as the interface between the body and the guitar and allows for some fine tuning of the alignment of t…

So it seems that a drum sander would be very handy for many parts of a "build from scratch". There are a few out there that cost under $3000.00 that can handle wood up to 4" thick and are wide enough to sand a back or top after the halves have been joined. Jet JWD-22-44 open stand, 22"width Jet JWDS-2550 open stand, 25" width SuperMax 19-38 opend stand, 19" width SuperMas 25-50 closed stand, 25" width Questions: Any recomendations on the sa…

Good morning everyone, I was taking some measurement on production necks with scarf-joint (13° headstock angle) to add some machining process with the cnc. I so recreated the standard neck blank feature (100mm wide and 20mm thick), then drawed the 13° angle. Everything correspond the to the real piace but two measurement: the startingcut behind the break angle is ''off'' by 20mm +/- as well as the cut on the bottom, still off by 20mm…

Let me start with this; I'm trying to find the root cause of difficult fret wire installation of two different SM fret wires. I've spent a lot of time gathering dimensions and experimenting with techniques wich could cause the problem. I enlisted the help of a colleague who arrived at a similar poor performance. His solution was to glue the fret ends/ beat the frets in. My "rather" is to find the root cause so I don't have to go thr…

I'm using hide glue on this 1st build. So far I've glued up the kerfing, back braces, and the top "X" brace. I'm using the 190 grade glue. Working time is short at best. I heated the top "X" brace surfaces (brace & top) with a blow dryer and that seemed to help, a little. How can I get enough working time to glue the top, and then later the back, without having to rush and creating a real mess in the process? Suggestions and reco…

Good evening folks, lately I'm experiencing some sanding methods/mechanism frustration. Can't explain better than look like I'm regressing at doing it. The only thing changed in my building routine is that I'm currently using a CNC (I haven't used one for some years) for both bodies and necks. I have no problems with necks, but sanding bodies has become incredibly frustrating, specially around the edges. While I keep improving my c…

Greetings and thanks in advance for your help. I live in one of the most inhospitable places in the world for wood storage (Mojave Desert CA) and later this year will be moving to another more inhospitable place (Sonoran Desert, Buckeye AZ). The realative humidity is currently 16% and that will drop when summer comes. I'm attempting to collect and store wood for future builds and today I spent some time wrapping all of it in seran…

Hi all. Brand new member. I’ve been building a classical guitar via kit from LMI for a couple of years now. I keep putting it off but recently became motivated to get back to it. Unfortunately LMI is out of business so I now have no one to go to to ask questions. I’m at the stage where I’m putting the sides together in the form. I followed the dimensions for the form based on the plans as I measured them, but the sides overlap pretty ba…

Has anyone here attempted to scorch a top, a la Michi Matsuda (with black powder or any other means)? If so, have you found any tonal changes from scorching or just the obvious aesthetic changes? If anyone has and would like to share pictures of the results, I'd be very interested.