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Private member DiscussionAcoustic Builds

Neck block for adjustable neck -thoughts on design

I've built a number of classical guitars with an adjustable neck and they seem to gather quite a bit of interest, so i'm currently in the process of looking to refine the design and build. It's quite a simple construction where the neck is held together by string tension and hangs on a pivot. I developed a 3d printed "socket" which acts as the interface between the body and the guitar and allows for some fine tuning of the alignment of t…

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Not really answering your question but I've done a version of the Smallman/Gore joint (I think it's really just Smallman but whatever) on all my guitars (nylon/steel/gypsy). I'm not particularly conc…
Private member DiscussionGeneral Business

Fender, Schmender

Since most of us fix or make guitars, we have probably heard something about the cease and desist letters Fender has sent out concerning the Stratocaster. I thought I would offer some thoughts. As always, caveat emptor. There are three basic ways to protect intellectual property under Federal law. Patent, trademark, and copyright. Each protects different things, and has different underlying legal theories. Lets begin with pate…

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There is also a time limit to both Patents and Copyright (and Trademarks, though Trademarks can be renewed). Don't know how long they last in other countries, but Canada is normally 20 years. Copy…
Private member DiscussionJob Postings

Full-time luthier — Custom Shop & Production

Rask Guitars — Utah (relocation required) Rask Guitars is a Utah-based custom shop dedicated to building exceptional instruments — primarily high-end acoustics, alongside electric guitars and prototypes. We operate with a small, focused team where craftsmanship isn't just a standard, it's the entire point. We're growing, and we're looking for a skilled, experienced luthier who's ready to plug into a real production environment, contribute…

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Private member DiscussionAcoustic Repair

Help needed to pinpoint my mistakes please!

Hi all, I am a newer guitar tech and after dozens of repairs this particular Simon & Patrick Luthier Cedar top SP6 acoustic dreadnought from the 90-ies with a bolt-on maple neck has been an incredible challenge. It came with a maxed out and stuck truss rod with a considerable up bow in the neck, extremely low saddle with barely any string break angle, so it needed a neck reset. Later on I figured out that it also has a pretty dras…

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Ian Davlin
I never got the video.
Private member DiscussionCAD/CAM

Contriver Node Atlas

A visual dependency map for Autodesk Fusion. It turns complex Fusion designs into an interactive map of model logic, helping users understand how parameters, sketches, construction references, features, bodies, and other design elements relate to each other. Instead of digging through dense timelines, browser trees, and feature chains, Node Atlas gives users a readable graph of how a design is connected. It is built for designers, builder…

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Private member DiscussionAcoustic Repair

First ebony fingerboard - any advice?

I’m about to do my first ebony fingerboard replacement and wondered if there was any advice, compared with rosewood fingerboard construction. I plan to use the small aluminum jig and fret saw to cut the slots manually, indexing off the old fingerboard. Thanks for any advice or encouragement!

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Dan, your generous advice is much appreciated. I'm all repair at this point, and have refretted a couple of dozen necks but still feel like an amateur! If you have time, can you mention which glues you…
Private member DiscussionAcoustic Builds

Wood-Body Resonator Guitar Construction – Materials & Suppliers?

Hi Everyone, I believe this may be my first post here, so just a quick introduction — I’m Andrew in Milwaukee, WI. I’ve been building a few years. My luthier eyes were opened first by Charles Fox in Portland which led me to the Gallop School. I recently retired from a tech career and I am now based in Milwaukee, WI focusing on acoustic builds. I’m currently exploring wood-body resonator guitars, and I’d love to learn more from t…

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Ian Davlin
Andrew, I'd like to talk to you about this question. Could we connect on a zoom call ?
Private member DiscussionGeneral

Is this hollow body guitar worth fixing - sunken top…

I recently picked up a used custom guitar that the seller said he bought in Vietnam Nam many years ago. I bought it as a wall hanger due to the wonderful Mother of Pearl work, especially on the back. It was very apparent that the top on this instrument was sunken at least 3/8 of an inch, as the weird bridge setup was heightened to the max and there was barely any action height. Once I took it apart and removed the foam inside, I was…

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Ian Davlin
01:53:25 Q9. Vietnamese Hollow Body Worth Fixing? @member your video sir.
Private member DiscussionAcoustic Builds

GoBar deck adjustment

Hi folks, I thought you might be interested in this approach to having easy height adjustment for a GoBar deck. I learned this tip from my buddy, Don Parker. He lurks around here too from time to time. :) The basic idea is rather than having a booster platform on the base for use when gluing braces to plates you bring the roof down lower. There is a 3D printed spacer in black in the pics. I linked to a downloadable STL and 3MF of…

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Just FYI, as far as I know, go bars have the same clamping strength no matter how much they are bent. If you want a different level of force, you need a heavier go bar. Or vice versa.
Private member DiscussionAcoustic Builds

Steam Box Idea... What's wrong with this idea?

Speaking of Trevor Gore... I've started using falcate bracing on my ukuleles and in making the braces, 3 strips of .0625" spruce are bent and then put in a bent lamination glue up rig using epoxy. Bending spruce is no fun on a hot pipe. It's slow, fussy, the fibers want to delaminate. I have been thinking about building a small dedicated steam box. Pulling all 3 of the strips out at once and bending them over a form with a metal back…

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Ian Davlin
I tried it once for trying to bend mandolin sides. This was in 2006, back when the internet wasn't nearly as useful as it is today, so the attempt was pretty incomplete I think. If I remember correctl…
Private member DiscussionAcoustic Repair

1975 Yamaha FG200J Neck Reset

Before I hack into the Yamaha, I would like to get the opinion of the experts on a method of steaming the upper end of the guitar and ‘pressing’ the neck down to adjust the angle back to factory. There are several you-tubers that have tried and recommend it. My novice intuition is that even though it may work, wont the steaming of other areas of the body such as upper braces, etc, end up weakening the construction (glue stability) to…

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Thanks for all of the inputs. I am going to order the foam cutter package. I will try to post some pics of the FG200J. In the meantime, I just got done doing a neck reset of a crappy Fender that ha…
Private member DiscussionFolk, Bluegrass, Irish, Old Time Instruments

Local builder mandolin neck reset

A friend of mine gave me his locally built mandolin for a neck reset. The glue in the dovetail has started to fail, and left a large gap at the bottom and a separation from the fingerboard and body. I've taken my brownstone and tried to heat the joint up enough to soften things up, but to no avail. I have no idea what type or where the joint is exactly. There are some indicators that this instrument was built with several flaws in the c…

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Private member DiscussionElectric Builds

What really effects tone?

Ok, I'm a new builder and I've only done solidbody electrics so far, so this question is related to only those. In my opinion, these are the things that have the most impact on tone, listed in order from most influential to least. Have at it! Pickup/electronics, neck joint type, neck construction (including fret size/material), scale length, bridge type, bridge saddle material, tone wood Of course, this only takes into account the guitar.…

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I'm not an expert electric builder but I think I'd go something like pickups 70% Body type (archtop/solidbody/variations thereof) 15% setup 10% vibes 5%