The Hub

Love the new look and navigation. Good work. I do miss the Video Archive Page as it was a constant reference source for me. Is there a way to those links that I am not seeing.

Good morning everyone, I was taking some measurement on production necks with scarf-joint (13° headstock angle) to add some machining process with the cnc. I so recreated the standard neck blank feature (100mm wide and 20mm thick), then drawed the 13° angle. Everything correspond the to the real piace but two measurement: the startingcut behind the break angle is ''off'' by 20mm +/- as well as the cut on the bottom, still off by 20mm…

Since most of us fix or make guitars, we have probably heard something about the cease and desist letters Fender has sent out concerning the Stratocaster. I thought I would offer some thoughts. As always, caveat emptor. There are three basic ways to protect intellectual property under Federal law. Patent, trademark, and copyright. Each protects different things, and has different underlying legal theories. Lets begin with pate…

Straight Frets in Austin has an excellent full-time position opening up soon. The job pays by the job, and equates to $70-85K a year for a tech that does: *neck resets *structural repairs *bridge making/reglues *refrets *headstock breaks with splines/airbrush We work on about 1,350 guitars a year (about 28-30 a week) and have had work shipped in from 22 different states at this point. We also teach setup classes on…

A visual dependency map for Autodesk Fusion. It turns complex Fusion designs into an interactive map of model logic, helping users understand how parameters, sketches, construction references, features, bodies, and other design elements relate to each other. Instead of digging through dense timelines, browser trees, and feature chains, Node Atlas gives users a readable graph of how a design is connected. It is built for designers, builder…

Hey everyone, I'm a technician at a music production school in London. As the most 'guitariest' technician on staff, I've become the de facto guitar maintenance person. A big part of my work is taking a look at each guitar once a week. Usually my "routine" is to check action and intonation, making adjustments if needed, then cleaning/polishing. The thing I struggle with the most is getting strings feeling good. We use D'Addario…

My wall worksheet I look at everyday. If you can think of any other common info that would be helpful to add let me know. Also, i can email the PDF if you message me. It wouldn't allow me to upload it here.

Hi Everyone, I believe this may be my first post here, so just a quick introduction — I’m Andrew in Milwaukee, WI. I’ve been building a few years. My luthier eyes were opened first by Charles Fox in Portland which led me to the Gallop School. I recently retired from a tech career and I am now based in Milwaukee, WI focusing on acoustic builds. I’m currently exploring wood-body resonator guitars, and I’d love to learn more from t…

Hey everyone, I wanted to do a bit of a follow up on a repair I'm doing. A customer brought in a Seagull acoustic guitar that had been dropped, causing the heel block to separate. I managed to get that glued back together with pleasing results, however I did need to take the neck off by removing the two bolts which thread into the heel block, and unglued the fretboard extension. All went well here, although I'm left with a situation whe…

Does anybody have any cool tricks to get a closer rough in saddle height when making a new saddle without the option of referencing the old one? Ex: replacing a lost saddle, making a saddle after a neck reset, making a saddle for a new bridge

Hey guys, a little help? I'm trying to recreate the old PRS wiring (rotary switch) but instead of the rotary, on a 5-way superswitch. I managed to get almost everything but I can't seem to figure out the series/parallel positions and it's starting to hurt the brain. I've looked everywhere online but I can't find exactly what I need. Here's the image of the positions I need, for reference.

I'm reading the Design book of the Gilet/Gore set (2nd Edition) and ran across something that surprised me. Under "Top bracing layout - guidelines" (Section 4.4.8, pp 4-52) Gore writes, "Brace ends that are housed into the linings stiffen the edge of the soundbard considerably and so constrain its mobility. Unless you are chasing a particular effect, it is generally not very beneficial to house the lower bout braces into the linings." My…

So, I made a modular clamp based on the split clamp idea. Started on a prototype about two months ago and finished it. What I was aiming for was a clamp that I could use on the BOTTOM of acoustic guitars as well as tops to clamp cracks, cleats, braces, patches etc. Especially a clamp that would access small openings like "F" holes, small sound holes etc. Essentially a way to get a clamp to areas not accessible to jacks, wedges etc.,…

Wondering what methods people use for tracing the shape of a cavity to make new covers, backplates, or switch-plates? Attaching a photo example of a battery cavity that's missing a cover and wondering what the best way would be to trace and reference the size so I can transfer it to a cardboard cutout and eventually cut a piece of wood to cover the cavity?

I was finally able to model something like a Gibson L7 top plate! Now I'm trying to build my f-holes... My only reference is the Benedetto archtop book, where it puts a few rules of thumb about how the f-holes should be placed. My question is, how precise are we talking here? One of the rules of thumb is that the bridge intersects at the midway point of the f-holes. Does this imply that the f-holes are at a certain location on the plate,…