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Howdy folks, I'm a 2026 graduate of the two year guitar program at Red Wing (Minnesota State College Southeast). Between my two years at Red Wing I worked at Collings Guitars in Austin, TX for two years in the acoustic neck department, shaping and finish sanding ~2000 necks, radiusing and gluing ~750 fingerboards, and pressing ~100 sets of frets. I also spent a couple months in the finishing department level sanding and pore filling ~300…

I am building an archtop mandocello (A style) and I'm trying to find out how to make the neck block. It would be more or less like an A style mandolin neck block, but obviously quite a lot bigger. More or less like the image attached. The blank should be aprox 10 x 8 x 12 cm. I'm trying to find a piece of hardwood big enough for this, would it be acceptable if I made some kind of laminated piece? And how should the grain direction be idea…

A customer brought in a Gibson ivory top A3 mandolin. It's in good shape and has all the parts. He found it at the local thrift store here in Bishop. He wants it mechanically sound. Here are the problems: 1) Everything that comes into the shop has a shrinkage component and the effects of course very from instrument to instrument. This instrument is no exception and the results of that shrinkage, in this case, are severe. The top, ba…

This guitar appears to have been assembled with urea formaldehyde glue, which is insoluble in water and doesn’t melt at any reasonable temperature. It is definitely not hide glue or resorcinol.The neck pocket is not under a fret slot. Luckily, very little glue was used to assemble the neck and it was all on the cheeks of the tenon and the neck came off rather easily using a combination of the StewMac heat rod and foam cutters, with smal…

Good morning everyone, I was taking some measurement on production necks with scarf-joint (13° headstock angle) to add some machining process with the cnc. I so recreated the standard neck blank feature (100mm wide and 20mm thick), then drawed the 13° angle. Everything correspond the to the real piace but two measurement: the startingcut behind the break angle is ''off'' by 20mm +/- as well as the cut on the bottom, still off by 20mm…

This is an LP copy from Memphis guitars. It looks like it has had the headstock repaired at some point. Also, there is what looks like some separation of the fretboard near the nut. I don't know if its left over from the repair or if its something new and just trying to go this way. I'm asking the group to look at the pics to help me figure out if any corrective steps are needed. Also from a finish repair standpoint, how to deal with i…

Let me start with this; I'm trying to find the root cause of difficult fret wire installation of two different SM fret wires. I've spent a lot of time gathering dimensions and experimenting with techniques wich could cause the problem. I enlisted the help of a colleague who arrived at a similar poor performance. His solution was to glue the fret ends/ beat the frets in. My "rather" is to find the root cause so I don't have to go thr…

Have an electric archtop that has a .012" backbow strung with 12-48s with truss rod completely loosened. 3 piece maple neck with a Ziricote fingerboard... Any tips or recommendations to straighten this neck would be appreciated... Currently trying humidity (in the case). Thank you! David O'

Since most of us fix or make guitars, we have probably heard something about the cease and desist letters Fender has sent out concerning the Stratocaster. I thought I would offer some thoughts. As always, caveat emptor. There are three basic ways to protect intellectual property under Federal law. Patent, trademark, and copyright. Each protects different things, and has different underlying legal theories. Lets begin with pate…

Straight Frets in Austin has an excellent full-time position opening up soon. The job pays by the job, and equates to $70-85K a year for a tech that does: *neck resets *structural repairs *bridge making/reglues *refrets *headstock breaks with splines/airbrush We work on about 1,350 guitars a year (about 28-30 a week) and have had work shipped in from 22 different states at this point. We also teach setup classes on…

I am working on a neck reset on a Washburn Parlor - SN 283552. I have read that the 28 in the SN indicates that is was built in 1928, but the owner thinks based on her research that it was built before 1920. I am assuming a dovetail joint and that I can get into the neck joint for steaming by drilling into the 13th fret slot, but if anyone knows differently please let me know. The fingerboard extension has already separated slightly…

Good morning everyone, it is been a while since I wanted to replace my glue (standard Titebond) with epoxy. The best I can find in EU, and specifically in Italy, is the West System 105 with 206 hardeners. Is it any good for fretboard and top gluing or neck gluing? For all the other small task, like top jointing etc I'll still use Titebond or polyurethane glue. Thanks!

Good evening folks, lately I'm experiencing some sanding methods/mechanism frustration. Can't explain better than look like I'm regressing at doing it. The only thing changed in my building routine is that I'm currently using a CNC (I haven't used one for some years) for both bodies and necks. I have no problems with necks, but sanding bodies has become incredibly frustrating, specially around the edges. While I keep improving my c…

Well, I am pulling my hair out here... just did a compression fret job on a 2017 D18 Authentic 1939. Neck had severe excess relief, so I pulled the frets, planed the board flat, and got to work....done this a handfull of times, so I wasnt expecting anything out of the ordinary...... I got a handful of frets in, checked my relief by stringing up the guitar, and decided I need to keep pushing, so I got a full set of frets in and som…

Hi all, I am a newer guitar tech and after dozens of repairs this particular Simon & Patrick Luthier Cedar top SP6 acoustic dreadnought from the 90-ies with a bolt-on maple neck has been an incredible challenge. It came with a maxed out and stuck truss rod with a considerable up bow in the neck, extremely low saddle with barely any string break angle, so it needed a neck reset. Later on I figured out that it also has a pretty dras…

I have a "fender", which I believe is a knock off, in my shop. I didn't immediately catch that it was a fake, but as I worked on it it's become fairly undeniable, in my opinion. For the neck — the fretboard is made from two pieces of rosewood, the headstock decal doesn't look right, the truss rod is metric, the tuners don't look like a MIA Fender, and there's no walnut plug on the truss access. The model name being wrong is suspicio…

Hi Folks Newbie here so please bear with me. I have a lovely early 90's Yamaha LD-10E acoustic in for repair, I think all solid wood? made in Indonesia and a lovely sounding instrument, however the electrics are letting it down. The pre-amp has a PCB populated with SMD electrolytic caps. Many of these have leaked and destroyed the PCB pads underneath. Repairing the traces is nigh on impossible so it looks like I'll have to replace t…

I have a Kalamazoo made epiphone with the most extreme fingerboard ramp I have seen. I have the neck dead straight from 1st fret to body joint and get a 1/16 of gap when I run a straight edge from 1st fret to the last fret. The frets average .040" but someone leveled the extension and those frets are half the height. Does anyone have any suggestions for flattening the extension. Clamping a block on it? If I level the board during a r…